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The Tug-of-War Between PVR INOX and Mollywood: A Clash of Business Strategies

In the vibrant world of Indian cinema, the relationship between multiplex chains and regional film industries is often a delicate balance of commercial interests and artistic aspirations. The latest clash between PVR INOX and the Malayalam film industry, popularly known as Mollywood, has grabbed the attention of movie enthusiasts and industry insiders alike.

The Dispute Unfolds

The root of the issue lies in the Kerala Film Producers Association (KFPA)’s decision to establish a new content-providing company, PDC. This move, aimed at streamlining the distribution of Malayalam films, has faced resistance from the PVR INOX management.

PVR INOX’s Stance

According to Kamal Gianchandani, the CEO of PVR Pictures Limited, the multiplex chain’s objection stems from the belief that “such an action of forcing an exhibitor to procure content from only one source is anti-competitive in nature and prohibited under the law.” PVR INOX has expressed its willingness to screen Malayalam films, but only through its existing distribution channels.

The Impact on Mollywood

The decision by PVR INOX to withhold screenings of recent and upcoming Malayalam releases, such as “Aavesham,” “Varshangalkku Shesham,” and “Jai Ganesh,” has had a significant impact on the Mollywood industry. Filmmakers who had sold the dubbing rights of their movies to other states have also been affected, as PVR INOX has halted the screening of these dubbed versions as well.

Mollywood’s Winning Streak

The Malayalam film industry has been on a roll, with a string of recent hits like “Nalsen,” “Premalu,” “Bramayugam,” “Manjummel Boys,” and “Aadujeevitham.” The anticipation for the upcoming releases, especially the Fahadh Faasil-starrer “Aavesham,” was palpable. This backdrop makes the PVR INOX decision all the more impactful on the industry’s momentum.

A Call for Resolution

As the tug-of-war continues, both parties have expressed a desire to find a resolution. PVR INOX has requested the Malayalam film industry to engage with them and come to a mutually beneficial solution. The Telugu Film Chamber of Commerce has also stepped in, calling for an emergency meeting to address the issue of multiplex chains’ “discriminatory practices.”

Conclusion

The dispute between PVR INOX and Mollywood is a complex interplay of business strategies, artistic integrity, and the ever-changing dynamics of the Indian entertainment landscape. As the two sides navigate this challenge, the ultimate hope is that a compromise can be reached, allowing moviegoers to enjoy the rich tapestry of Malayalam cinema on the big screen once again.

 

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